View Triples for http://repository.covher.eu/content/66d587a405a82

In-coming triples
Subject	Predicate	Object	Graph	Adapter
http://repository.covher.eu/content/66d58376c0ce0	http://www.cidoc-crm.org/cidoc-crm/P129i_is_subject_of	http://repository.covher.eu/content/66d587a405a82	http://repository.covher.eu/content/	Covher Repository Backend

Out-going triples
Subject	Predicate	Object	Graph	Adapter
http://repository.covher.eu/content/66d587a405a82	http://www.w3.org/1999/02/22-rdf-syntax-ns#type	https://www.ontscidoc3d.hs-mainz.de/ontology/osd_31a_Annotation	http://repository.covher.eu/content/	Covher Repository Backend
http://repository.covher.eu/content/66d587a405a82	http://www.cidoc-crm.org/cidoc-crm/P190_has_symbolic_content	"The original design for the round cloister by Donato Bramante, meant to accompany his Tempietto di San Pietro in Montorio, dates from the early 16th century. It was initially planned to be situated between the pre-existing church of San Pietro in Montorio and its older cloister. However, the round cloister was never realized as envisioned; instead, a rectangular cloister was built, placing the Tempietto at its center. This adjusted plan is detailed in Sebastiano Serlio’s "I Quattro Libri dell'Architettura" (1570), which presents an idealized schematic of the design. The specifics of whether the cloister was intended to have one or two stories, or if the 16 columns were meant to support an entablature or a series of arches, are not documented clearly. The design has been depicted several times throughout the history of architecture. Notably, Paul Marie Letarouilly’s 1940 illustration critiques the feasibility of Serlio's depicted four chapels, pointing out spatial conflicts with the transept apse of the main church."@en	http://repository.covher.eu/content/	Covher Repository Backend